All entries tagged ‘visual arts gallery’
04 Aug 2015

65 Self-Portraits

65 Self-Portraits is one of the best documented of the remarkable series of exhibitions organized by Shirley Glaser while she was director of SVA’s Visual Arts Gallery, 1964-1969.

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16 Dec 2013

Lost and found

Newly unearthed SVA exhibition posters (1969-1970) from Cris Gianakos.

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20 Nov 2013

Working drawings

Milton Glaser’s sketch for the Working drawings and other visible things on paper not necessarily meant to be viewed as art poster became a part of the artwork.

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23 Aug 2012

Coming soon: James McMullan at the Visual Arts Gallery

A preview of James McMullan’s upcoming Masters Series show at the Visual Arts Gallery.

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18 Apr 2012

Sun-rays and lightning

An exhibition of Navajo Weaving at the Visual Arts Gallery in 1972 described a loom made of cosmic forces, and blankets rendered in “cannel-coal, turquoise, abalone, and white bead” but developed during a “devastating acculturation process.”

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16 Jul 2010

Milton Glaser’s geometries

Milton Glaser is closely associated with a visual style emphasizing expressive illustrations and resonant cultural symbols, but revisiting different periods in his career one is reminded that he was constantly developing new approaches, and in the Glaser Collection one can find an astonishingly wide range of approaches to design problems.

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01 Jun 2010

Josef Presser and Bob Gill

School of Visual Arts Collection: SVA Exhibitions: Josef Presser: Exhibition of Paintings and Drawings, late 1950s.

Bob Gill lets Josef Presser’s words speak for themselves in this visually simple but verbally playful announcement for Presser’s exhibition at SVA.

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02 May 2010

Performance Spaces

School of Visual Arts Archives, RG 9.4 Student Galleries. Exhibition 726. Exhibition announcement for the SVA Gallery’s “Performance Spaces.”

Many of the artists and critics who were invited to guest curate the SVA Gallery in the 60s and 70s were emerging figures in the avant-garde, including Lucy Lippard, Phyllis Tuchman, and Mel Bochner. In May, 1972 they invited Vito Acconci.

This striking invitation features an image from David Oppenheim’s “Parallel Stress,” in which a figure cups the interior curve of two mounds of earth (in the other, I believe, he hangs in space). The washed-out monochrome palette makes it all blend together, giving the sense of the artist as an organic component of the environment: which aptly reflects this exhibition’s emphasis on the intersection between installation and performance art. Featured in Performance Spaces: a series of printed scores (“songs written for specific birds and athletes”) and the documentation for “Silent Ping Pong” by Bill Beckley, a performance installation by Terry Fox, a confrontational sculpture by Howard Fried, and Dennis Oppenheim’s “Gingerbread Man.”

25 Feb 2010

American-Type Sculpture

Poster for the exhibition American-Type Sculpture, Part 2, which opened at the Visual Arts Gallery in 1973. Curator Phyllis Tuchman brought together a prophetic list of artists for the show, including Louise Bourgeois, Sol LeWitt, and Richard Serra.

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17 Dec 2009

Early LeWitt

School of Visual Arts Exhibitions: Sketch for Groups exhibition poster, November 11 – December 3, 1969.

We love our LeWitt here at Container List, and we recently found some very early exhibition announcements for his work at SVA and other galleries.

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24 Aug 2009

Department of the newly uncovered

SVA Collection RG 15: Exhibitions, 1966

We just stumbled across a long-lost poster for the seminal conceptual art exhibit, Working drawings and other visible things on paper not necessarily meant to be viewed as art (Visual Arts Gallery, December 2 – December 23, 1966). Initially asked by gallery director Shirley Glaser to organize a Christmas show of drawings, Mel Bochner collected notes, sketches, and diagrams from artist friends (as well as mathematicians, biologists, choreographers, and engineers). He ultimately photocopied the working drawings (using SVA’s brand new Xerox machine), placed them into four identical binders, and mounted them on pedestals in the gallery.

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20 Jul 2009

Inside the Big Apple

Milton Glaser Collection: Box 3, Folder 12

One of the main attractions of the archive as a research tool is as a document of artistic process. (The effect of the overwriting of drafts by computers is a subject I have written about elsewhere.) There were several stages to Milton Glaser’s development of a poster for the Visual Arts Gallery exhibition “Inside the Big Apple” (1968) — the above shows his collage of different versions of the figuration, which arrangement ended up contributing the composition that he used in the final version (other versions and the final poster follow).

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31 Mar 2009

The furniture people of Stanley VanDerBeek

Milton Glaser Collection: Box 112, Folder 24, Push Pin Graphic (undated)

Stan VanDerBeek (1927-1984) was best known as an experimental filmmaker but he was also a gifted painter and sculptor. This undated issue of the Push Pin Graphic features photographs of VanDerBeek’s whimsical creations.

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