Another riff on Milton Glaser’s indefatigable Dylan poster, here for a book by Roots drummer Questlove. It’s interesting the jacket designer also uses a Baby Teeth-esque typeface (though it looks a little wonky?). Anyway, some amusing stories have been bubbling up from this particular volume, including (on Slate) The Time I Went Roller Skating With Prince. Some of earlier, amusingly candid versions of these stories can also be found at the website Questlove’s Celebrity Stories.
Bob Dylan’s brief relationship with Joan Baez was exhaustively documented, but we get interested when that affair highlighted the work of Push Pin Studios. In 1964, Dylan and Baez were photographed at Newark Airport in front of Seymour Chwast’s poster for Booth’s Gin: an incongruous, but not surprising, image of two icons flanking a countercultural message from a corporate advertiser.
Glaser’s fascination with exploded diagrams (this poster for Olivetti, among other things) is applied here to a matter very dear to me: the hamburger. Actually this brings me back to the Sack ‘n’ Save in the suburbs of Dallas, which was the preferred purveyor of hamburger ingredients when I was a child, perhaps because a similar idea was rendered in giant ’70s-oversaturated photographs printed ten feet tall along the hot magenta wall above the butcher section. The illustration above appeared on the second long-player by Philly psych rockers Mandrake Memorial, titled Medium — now a rare find in the bins. Glaser’s influence on the graphic legacy of the hamburger can also be seen on this cover for Time magazine.
XTC’s Andy Partridge readily admits to using Milton Glaser’s 1966 poster for radio station WOR as the inspiration for the cover art for XTC’s 1989 album Oranges and Lemons (viewable here). He has also professed his love of the work of Yellow Submarine art director and designer Heinz Edelmann, who is also a new addition to the archives — sneak peek to come!