We’ve just received materials from the 2005 exhibition The Design of Dissent donated by designer Mirko Ilić, who, along with Milton Glaser, collected the materials and created a book on the project.

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Milton Glaser Collection Box 112 Folder 24. Push Pin Graphic No. 11, December 1957.

Milton Glaser tips his hat to French poet, playwright, and critic Guillaume Apollinaire.

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James McMullan Collection: Box 5 Folder 4. Charles Manson portrait for Rolling Stone.

In addition to our posts to the new Container List outpost at Dan Nadel’s PictureBox, Dan himself (whom you probably know as the publisher, art director, editor, curator, and writer extraordinaire, and we know as our No. 1 fan) will be be blogging about his favorite items from our collections. Today at PictureBox, James McMullan’s angelically menacing portrait of Charles Manson gets some love from Dan.

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For large patches of his later career Heinz Edelmann focused on quickly producing posters for arts events and series productions: these typically made use of a fairly regularized typographic template for information, and wild, allusive but enigmatic illustrations. For one season in the mid-1980s, he worked with the Düsseldorfer Schauspielhaus theater, playing off the plays’ angsty plotlines with evocatively deformed bodies.

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What exactly do we do here at the Glaser Archives? I’m so glad you asked!

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