20 Sep 2013

Future games

“Man in Control?” at Expo 67.

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06 Sep 2013

Famous faces

Henry Wolf’s portraiture.

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28 Aug 2013

You can do magic

Posters from the American Museum of Magic.

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21 Aug 2013

His back pages

Another riff on Milton Glaser’s indefatigable Dylan poster, here for a book by Roots drummer Questlove. It’s interesting the jacket designer also uses a Baby Teeth-esque typeface (though it looks a little wonky?). Anyway, some amusing stories have been bubbling up from this particular volume, including (on Slate) The Time I Went Roller Skating With Prince. Some of earlier, amusingly candid versions of these stories can also be found at the website Questlove’s Celebrity Stories.

14 Aug 2013

Emphasis on graphics

Henry Wolf’s photograph for a student architectural drawing competition.

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29 Jul 2013

Tea for two

Milton Glaser for the Russian Tea Room.

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12 Jul 2013

Man in the shadows

Milton Glaser’s cover design for Wilfrid Sheed’s People Will Always Be Kind, Farrar, Straus & Giroux (1973)

Wilfrid Sheed, who died in 2011, was a sharp, flinty prose stylist too often overshadowed by his more explicitly experimental or social-commentary-oriented contemporaries. The acerbic flavor of his art may be best enjoyed in Max Jamison (1970). The next novel, People Will Always Be Kind (named after a line in a Siegfried Sassoon poem) was less heralded but continued to refine his style and adapt it to the world around him (somewhat comparably to Saul Bellow’s middle work). In Dwight Garner’s sensitive appreciation, he emphasizes Sheed’s biting essay style:

“Mushy reviews are a breach of faith,” he declared, and the skin on his compositions was salt-crusted. One review began: “Of Ezra Pound, as of Bobby Fischer, all that can decently be said is that his colleagues admire him.” Another began this way: “Scott Fitzgerald is a sound you like to hear at certain times of the day, say at four in the afternoon and again late at night, and at other times it makes you slightly sick.” Another stated: “Books about suicide make lousy gifts.”

He wanted to live in a world in which one could find “Gershwin playing all night in penthouses, while George Kaufman fired one-liners into the guests and Harpo scrambled eggs in their hats.” Milton Glaser’s cover, with its punchy color combined with austere but evocative line, seems neatly suited to such a world.

25 Jun 2013

Candy men

Fanciful candy packaging for Audience magazine.

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14 Jun 2013

Underground Images

SVA’s New York City subway posters exhibited in Ljubljana, Slovenia.

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07 Jun 2013

I can’t see my flag anymore

Tony Palladino Collection, Slides. Photo by Edith Marshall. For Empathy Graphics.

This detail from an anti-Vietnam war poster is represented only on a slide in the Tony Palladino collection. In serif text above the image, the original includes the complaint “I can’t see my flag anymore”—which has some of the same arch plainness or indirection of Chwast’s anti-war End Bad Breath poster of two years prior. Here’s another of various flags by Palladino, one graphic symbol whose permutations he remained fascinated by throughout his career. Despite its relative lack of exposure today, it is one of two Palladino posters in the Library of Congress.