Milton Glaser illustrates the stark contrast between two film stars of 1969 — Dustin Hoffman and John Wayne.

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Milton Glaser’s take on Seurat.

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Vernacular signage from the first year of the Push Pin Graphic.

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Milton Glaser Collection. Drawer 21, Folder 11: poster for Poppy records, 1968.

Looks like a regular ocellated fellow, with one significant difference. Cross-reference for flowers sprouting from heads: Utopia Records, and this poster for Push Pin Graphic. (Typeface is Glaser Stencil, which appeared on other Poppy productions as well.)

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Forever potent and still open to interpretation despite its ubiquity, the skeleton has surfaced many times in the early work of Milton Glaser.

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Milton Glaser got minimal for SVA’s 40th Anniversary logo.

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Some type-based design from Milton Glaser and Seymour Chwast.

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Shades of Yellow Submarine in Gian Carlo Menotti’s sci-fi opera for children Help, Help, The Globolinks!

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Milton Glaser created this album cover in 1972 for legendary guitarist and folk singer Doc Watson.

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Milton Glaser explored an undersea terrain for Sports Illustrated in 1961.

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Before Push Pin Studios, before the Push Pin Graphic, there was the Push Pin Almanack.

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Descending into Series II, Subseries G, we take another look at some of Milton Glaser’s logos and menus for restaurants.

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In 1970, Childcraft Education Corp. turned to Milton Glaser to design their flagship store at 150 E. 58th Street.

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Are you a member of Saturday’s Generation?

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The continuing story of the Windows On The World restaurant and its satellites in the World Trade Center, designed by Milton Glaser in 1976 and redone in 1996.

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