Brownjohn, Chermayeff and Geismar’s expressive typography for The Composing Room.
Milton Glaser’s menagerie of figures for the School of Visual Arts, 1971.
I’m always interested to see how different artists interpret of the same source material. Zach featured James McMullan’s boxed Alexandria Quartet some months ago, but I’d forgotten that Milton Glaser also created book jackets for at least two volumes (Justine and Balthazar) of Lawrence Durrell’s tetrology for Pocket Books in 1969; I can’t determine whether he also designed jackets for Clea and Mountolive.
While McMullan’s work from the early 1960s is close in spirit to the evocative illustration of his colleagues Robert Weaver and Jerome Martin, Glaser’s late 1960s take shows a pop/psych style then at its height. The art is very much in keeping with other work that Glaser was doing at the time, with its flowing curvilinear lines and high contrast colors, which also, intentional or not, indicate some churning emotional content.
Newly unearthed SVA exhibition posters (1969-1970) from Cris Gianakos.
Several incarnations of Vladimir Nabokov’s most lovable protagonist, Timofey Pavlovich Pnin.
Milton Glaser’s sketch for the Working drawings and other visible things on paper not necessarily meant to be viewed as art poster became a part of the artwork.
Next Tuesday, our long-in-the-making exhibition, Primary Sources: Documenting SVA and the New York Art World, 1966-1985 opens at the SVA Chelsea Gallery. A rambling history of the school’s long history of fine art exhibitions scattered with ephemera, we’ve also managed to wrangle up some works as they originally appeared.
The show revisits exhibitions of several decades, curated by the likes of David Bourdon, Douglas Crimp, Lucy Lippard, Phyllis Tuchman, and David Whitney (with posters designed by Milton Glaser, Cris Gianakos, Doug Johnson, B. Martin Pedersen, and many others). Not to forget student exhibitions that took place in SVA’s galleries in Tribeca and SoHo, documentation of performances by Steve Reich and Laurie Anderson, screenings and talks, and (my favorite) lots of little odds and ends—loan forms, hardware store receipts, doodles—gathered together in binders that reproduce the archival files for each show. Come say hi: the reception is next Thursday, November 21, 6-8pm.